Drawing on Antonin Artaud’s ideas around theatre of cruelty and André Bazin’s notions of auteur film and its subversive capacity, this course looks at a group of Latin American and Spanish films and directors to explore how cruelty has become a recognizable aesthetic, one with strategic relevance for Hispanic film. This seminar understands film as a text in which cruelty functions as a cinematic trope, and also reflects on spectatorship, film’s ability to inflict pain and, even more, the possibility that film constitutes a modern spectacle of cruelty.
