Musical theatre scholar devoted to queer identity and feminism in performance, I have written Changed for Good: A Feminist History of the Broadway Musical (Oxford University Press, 2011), A Problem Like Maria: Gender and Sexuality in the American Musical (University of Michigan Press, 2002), and co-edited The Oxford Handbook of the American Musical (with Raymond Knapp and Mitchell Morris, 2011). I have published articles on theatre spectatorship, performance pedagogy, and musical theatre in many journals including Theatre Journal, Modern Drama, and Camera Obscura and was a former editor of Theatre Topics: A Journal of Pedagogy and Praxis. I also have experience as a director and dramaturg.
Wolf will be co-teaching HUM 340: Musical Theatre and Fan Cultures with Elizabeth Armstrong in the Fall of 2022.
